Today is the feast of Wulfthryth of Wilton, also known as Wilfrida, a 10th-century abbess in Wiltshire. Wulfthryth is known to history through several sources, including the hagiography of the Secgan Manuscript, John of Worcester’s Chronicle, William of Malmesbury, Osburn’s life of Dunstan, the Life of St Wulfthryth found in The Wilton Chronicle, a royal charter of King Edgar to Wulfthryth, and the Vita Edithae by Goscelin. The medieval sources record her as living an exemplary life of sanctity and virtue and her virtues were often contrasted with the machinations of Edgar’s second (or third) wife, Ælfthryth.
Wulfthryth was an English noblewoman, a cousin of Wulfhild, born about 937, whom king Edgar of England — https://www.bookofdaystales.com/edgar-the-peaceful/ — carried off from the nunnery at Wilton Abbey and took to his residence at Kemsing, near Sevenoaks. While in Kent, Wulfthryth gave birth to a daughter, Edith. After at least a year, Wulfthryth returned to Wilton Abbey, taking Edith with her. She later became head of the abbey and outlived her daughter.
According to early monastic texts, under Saint Dunstan’s direction Edgar did penance for this crime by not wearing his crown for seven years. As part of his penance, Edgar gave Wilfrida/ Wulfthryth six estates in Wiltshire and the Isle of Wight which she passed on to Wilton Abbey in 965. Some form of bride abduction, often more simulated force than actual, by this time, may have existed as a vestige of earlier Anglo-Saxon tradition, and historians have alternatively referred to Wilfrida as Edgar’s concubine or his second wife, although never as a captive. Given the religious customs of the time, his penance was probably related to his violation of the sanctity of her religious vocation, rather than to any personal affront to Wilfrida. It is clear that the two had a continuing friendship long after her return to Wilton. In any event, Edgar seems to have acknowledged Edith as his daughter; the relationship may have been considered a marriage, despite the formal church sanction, as was the custom of the time, and if so Edith was a legitimate daughter.
Wulfthryth continued to have considerable influence upon Edgar after her return to Wilton. She was able to stop bailiffs from arresting a thief who had taken sanctuary in the Abbey and was able to secure the release of two Wilton priests who had been imprisoned by the reeve of Wilton. As abbess of Wilton, she built a stone wall around the abbey and also used her wealth to build up the abbey’s collection of relics. Goscelin calls her the “hidden treasure and light” of the abbey, and she was held in high esteem during her life. She is credited with the usual cascade of miracles during her lifetime, and was well known for her alms giving.
Both Wulfthryth and her daughter Edith were regarded as saints soon after their lifetimes. Wulfthryth died at Wilton abbey on 21st September, probably in the year 1000, and was buried before the main altar of the Wilton Abbey church. I am not sure why her feast is today, since it is conventional to celebrate saints on the day of their deaths.
As I have mentioned numerous times before, Anglo-Saxon recipes are hard to find, and I have done my best in the past to give what is known. Instead I will give a more modern (19th century) Wiltshire recipe, which is suitably authentic although I have not tested it. I do like steamed puddings, however. The proportions are a bit inexact, but not impossible to follow. I’ve tidied things up a bit. The recipe calls for “fruit” but the more modern interpretation uses gooseberries or cut rhubarb. You can also use peeled and chopped apples.
Wiltshire Stir-In Pudding
12 oz self-raising flour
6 oz lard
3 oz sugar
milk and water mix
3 cups fruit
Mix the flour, sugar, and a pinch of salt in a bowl. Rub in the lard so that the mix resembles coarse sand. Stir in your fruit of choice. Mix with a sufficient quantity of milk and water to make a stiff mixture. Grease a pudding basin and line it with greaseproof paper. Put the pudding mix in the basin, cover with greaseproof paper (tied down to cover the top), and steam for about 3 hours. Turn out on to a serving dish, and serve with egg custard.
Popeye the Sailor, created by Elzie Crisler Segar, first appeared in the daily King Features comic strip, Thimble Theatre, on this date in 1929, and Popeye became the strip’s title in later years. Popeye has since appeared in cinematic and television animated cartoons. Segar’s Thimble Theatre strip was in its 10th year when Popeye made his debut, but the one-eyed (left) sailor quickly became the main focus of the strip, and Thimble Theatre became one of King Features’ most popular properties during the 1930s. After Segar’s death in 1938, Thimble Theatre was continued by several writers and artists, most notably Segar’s assistant Bud Sagendorf. The strip continues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories.
In 1933, Max Fleischer adapted the Thimble Theatre characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and Fleischer—and later Paramount’s own Famous Studios—continued production through 1957. These cartoon shorts are now owned by Turner Entertainment, a subsidiary of Time Warner, and distributed by its sister company Warner Bros. Entertainment.
Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video games, hundreds of advertisements, and peripheral products (ranging from spinach to candy cigarettes), and the 1980 live-action film directed by Robert Altman, starring Robin Williams as Popeye.
Differences in Popeye’s story and characterization vary depending on the medium. Originally, Popeye got his strength from rubbing the head of the Whiffle Hen, changing to spinach by 1932. Swee’Pea is definitively Popeye’s ward in the comic strips, but he is often depicted as belonging to Olive Oyl in cartoons. There is no absolute sense of continuity in the stories, although certain plot and presentation elements remain mostly constant, including purposeful contradictions in Popeye’s capabilities. Popeye seems bereft of manners and uneducated, yet he is often depicted as capable of coming up with solutions to problems that seem insurmountable to the police or, most importantly, the scientific community. Popeye has, alternatively, displayed Sherlock Holmes-like investigative prowess (determining, for instance, that his beloved Olive was abducted by estimating the depth of the villains’ footprints in the sand), scientific ingenuity (as his construction, within a few hours, of a “spinach-drive” spacecraft), or oversimplified (yet successful) diplomatic arguments (by presenting his own existence—and superhuman strength—as the only true guarantee of world peace at diplomatic conferences). Popeye’s pipe also proves to be highly versatile. Among other things, it has served as a cutting torch, jet engine, propeller, periscope, musical instrument, and, of course, a whistle with which he produces his trademark toot. Popeye also on occasion eats spinach through his pipe, sometimes sucking in the can itself along with the contents. Since the 1970s, Popeye is seldom depicted using his pipe to smoke tobacco.
Popeye’s exploits are also enhanced by a few recurring plot elements. One is the love triangle among Popeye, Olive, and Bluto, and the latter’s endless machinations to claim Olive at Popeye’s expense. Another is his near-saintly perseverance in overcoming any obstacle to please Olive, who often renounces Popeye for Bluto’s dime-store advances. She is the only character that Popeye will permit to give him a thumping. Finally, Popeye usually uncovers villainous plots by accidentally sneaking up on the antagonists as they brag about or lay out their schemes.[citation needed.
Thimble Theatre was cartoonist E. C. Segar’s third published strip when it first appeared in the New York Journal on December 19, 1919. The paper’s owner William Randolph Hearst also owned King Features Syndicate, which syndicated the strip. Thimble Theatre was intended as a replacement for Midget Movies by Ed Wheelan (Wheelan having recently resigned from King Features). It did not attract a large audience at first, and at the end of its first decade appeared in only half a dozen newspapers. In its early years, the strip featured characters acting out various stories and scenarios in theatrical style (hence the strip’s name). It could be classified as a gag-a-day comic in those days.
Thimble Theatre’s first main characters were the thin Olive Oyl and her boyfriend Harold Hamgravy. After the strip moved away from its initial focus, it settled into a comedy-adventure style featuring Olive, Ham Gravy, and Olive’s enterprising brother Castor Oyl. Olive’s parents Cole and Nana Oyl also made frequent appearances. Popeye first appeared in the strip as a minor character. He was initially hired by Castor Oyl and Ham to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell. Castor intended to break the bank at the casino using the unbeatable good luck conferred by stroking the hairs on the head of Bernice the Whiffle Hen. Weeks later, on the trip back, Popeye is shot many times by Jack Snork, a stooge of Fadewell’s, but survives by rubbing Bernice’s head. After the adventure, Popeye left the strip but, due to reader reaction, he was quickly brought back.
The Popeye character became so popular that he was given a larger role, and the strip was expanded into many more newspapers as a result. Initial strips presented Olive as being less than impressed with Popeye, but she eventually left Ham Gravy to become Popeye’s girlfriend and Ham Gravy left the strip as a regular. Over the years, however, she has often displayed a fickle attitude towards Popeye. Castor Oyl continued to come up with get-rich-quick schemes and enlisted Popeye in his misadventures. Eventually, he settled down as a detective and later on bought a ranch out West. Castor has seldom appeared in recent years.
In 1933, Popeye received a foundling baby in the mail, whom he adopted and named “Swee’Pea.” Other regular characters in the strip were J. Wellington Wimpy, a hamburger-loving moocher who would “gladly pay you Tuesday for a hamburger today” (he was also soft-spoken and cowardly; Vickers Wellington bombers were nicknamed “Wimpys” after the character); George W. Geezil, a local cobbler who spoke in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; and Eugene the Jeep, a yellow, vaguely dog-like animal from Africa with magical powers. In addition, the strip featured the Sea Hag, a terrible pirate, as well as the last witch on earth (her even more terrible sister excepted); Alice the Goon, a monstrous creature who entered the strip as the Sea Hag’s henchwoman and continued as Swee’Pea’s babysitter; and Toar, a caveman.
Segar’s strip was quite different from the cartoons that followed. The stories were more complex, with many characters that never appeared in theatric cartoons (King Blozo, for example). Popeye rarely ate spinach, and Bluto made only one appearance. Segar would sign some of his early Popeye comic strips with a cigar, due to his last name being a homophone of “cigar” (pronounced SEE-gar).
After Segar’s death in 1938, many different artists were hired to draw the strip. Tom Sims, the son of a Coosa River channel-boat captain, continued writing Thimble Theatre strips and established the Popeye the Sailorman spin-off. Doc Winner and Bela Zaboly, successively, handled the artwork during Sims’s run. Eventually, Ralph Stein stepped in to write the strip until the series was taken over by Bud Sagendorf in 1959.
Sagendorf wrote and drew the daily strip until 1986, and continued to write and draw the Sunday strip until his death in 1994. Sagendorf, who had been Segar’s assistant, made a definite effort to retain much of Segar’s classic style, although his art is instantly discernible. Sagendorf continued to use many obscure characters from the Segar years, especially O.G. Wotasnozzle and King Blozo. Sagendorf’s new characters, such as the Thung, also had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it would sometimes take an entire week of Sagendorf’s daily strips for the plot to be advanced even a small amount.
From 1986 to 1992, the daily strip was written and drawn by Bobby London, who, after some controversy, was fired from the strip for a story that could be taken to satirize abortion. London’s strips put Popeye and his friends in updated situations, but kept the spirit of Segar’s original. One classic storyline, titled “The Return of Bluto”, showed the sailor battling every version of the bearded bully from the comic strip, comic books, and animated films. The Sunday edition of the comic strip is currently drawn by Hy Eisman, who took over in 1994. The daily strip began featuring reruns of Sagendorf’s strips after London was fired and continues to do so today.
Even though Popeye did not use spinach to gain strength in his earliest incarnation, spinach and Popeye are now completely wedded. Spinach is an extremely versatile food, and is one of my favorites. I always grew it in containers in my garden in New York, and used it primarily for salads. Because raw spinach contains oxalic acid, which blocks absorption of iron and calcium and may contribute to the formation of kidney stones, there was a time when health nuts avoided spinach that was not cooked. It is now understood, however, that the amount of oxalic acid in spinach is not as deleterious as once thought, and regular eating of probiotics in natural yoghurt and kefir counteracts the acid. On the other hand, if you boil or steam spinach you should discard the water, as well as the liquid it is packed in if you use canned.
I will put spinach in pretty much anything if I have it on hand: soups and stews, omelets, pots of lentils or beans. Curries in India can be made with all the ingredients cooked slowly for hours and if they have spinach (sa’ag) in them, it becomes silky and smooth, almost blending into the sauce. Or you can lightly steam spinach on its own. I cook it by rinsing it thoroughly in a colander, then placing it in a dry saucepan over high heat covered, and letting it steam for a few minutes until it cooks down. Drain off the excess juices and serve it hot or cold as a side dish – plain or dressed with a little sesame oil (although in keeping with the Popeye theme it ought to be olive oil — no comment on extra virgin please). You can put chopped, steamed spinach in sour cream or yoghurt as a dip, or use it as the main ingredient in cream of spinach soup. Spinach will go with anything. Eggs Florentine are like eggs Benedict except you replace the ham with spinach – delicious. “Florentine” is the culinary shorthand for “with spinach.” Hollow out a baked potato and stuff it with spinach and cheese for potatoes Florentine. Use your imagination.