Feb 082014

Sorry to my readers.  This is short and sweet.  I’ve been distracted the past couple of days.


Today is the birthday (1819) of John Ruskin, leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects ranging from geology to architecture, myth to ornithology, literature to education, and botany to political economy. His writing styles and literary forms were equally varied. Ruskin wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterize his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasized the connections between nature, art and society. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation.

He was hugely influential in the latter half of the 19th century, and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability and craft.


Ruskin first came to widespread attention with the first volume of Modern Painters (1843), an extended essay in defense of the work of J. M. W. Turner in which he argued that the principal role of the artist is “truth to nature”. From the 1850s he championed the Pre-Raphaelites who were influenced by his ideas. His work increasingly focused on social and political issues. Unto This Last (1860, 1862) marked the shift in emphasis. In 1869, Ruskin became the first Slade Professor of Fine Art at the University of Oxford, where he established the Ruskin School of Drawing. In 1871, he began his monthly “letters to the workmen and labourers of Great Britain”, published under the title Fors Clavigera (1871–1884). In the course of this complex and deeply personal work, he developed the principles underlying his ideal society. As a result, he founded the Guild of St George, an organization that endures today.

Here’s Mrs Beeton – a grand Victorian too.  I adore Kate and Sidney.



600. INGREDIENTS.—6 oz. of flour, 2 eggs, not quite 1 pint of milk, salt to taste, 1-1/2 lb. of rump-steaks, 1 kidney, pepper and salt.

Mode.—Cut the steaks into nice square pieces, with a small quantity of fat, and the kidney divide into small pieces. Make a batter of flour, eggs, and milk in the above proportion; lay a little of it at the bottom of a pie-dish; then put in the steaks and kidney, which should be well seasoned with pepper and salt, and pour over the remainder of the batter, and bake for 1-1/2 hour in a brisk but not fierce oven.

Time.—1-1/2 hour. Average cost, 2s.

Sufficient for 4 or 5 persons.

Seasonable at any time.

 Posted by at 11:24 pm

  4 Responses to “John Ruskin (1)”

  1. Ruskin’s essays on art were the first essays on aesthetics that I read as a student and I became entranced by aesthetics from reading them. Right up there with Emily Dickinson and Dylan Thomas in my iconography. Happy to see him commemorated!

  2. interesting. In what way loopy?

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