Apr 192016
 

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On this date in 1943, Albert Hofmann, creator of synthetic lysergic acid diethylamide (LSD)  performed a self-experiment to determine the true effects of LSD, intentionally ingesting 0.25 milligrams (250 micrograms) of the substance, an amount he predicted to be a threshold dose (an actual threshold dose is 20 micrograms). Less than an hour later, Hofmann experienced sudden and intense changes in perception. He asked his laboratory assistant to escort him home and, as use of motor vehicles was prohibited because of wartime restrictions, they had to make the journey on a bicycle. On the way, Hoffman’s condition rapidly deteriorated as he struggled with feelings of anxiety, alternating in his beliefs that the next-door neighbor was a malevolent witch, that he was going insane, and that the LSD had poisoned him. When the house doctor arrived, however, he could detect no physical abnormalities, save for a pair of incredibly dilated pupils. Hofmann was reassured, and soon his terror began to give way to a sense of good fortune and enjoyment, as he later wrote:

Little by little I could begin to enjoy the unprecedented colors and plays of shapes that persisted behind my closed eyes. Kaleidoscopic, fantastic images surged in on me, alternating, variegated, opening and then closing themselves in circles and spirals, exploding in colored fountains, rearranging and hybridizing themselves in constant flux.

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The events of this first LSD trip, now known as “Bicycle Day”, after the bicycle ride home, proved to Hofmann that he had indeed made a significant discovery: a psychoactive substance with extraordinary potency, capable of causing significant shifts of consciousness in incredibly low doses. Hofmann foresaw the drug as a powerful psychiatric tool; because of its intense and introspective nature, he couldn’t imagine anyone using it recreationally. Bicycle Day is increasingly observed in psychedelic communities as a day to celebrate the discovery of LSD.

The celebration of Bicycle Day originated in DeKalb, Illinois, in 1985, when Thomas B. Roberts, then a professor at Northern Illinois University, invented the name “Bicycle Day” when he founded the first Bicycle Day celebration at his home. Several years later, he sent an announcement made by one of his students to friends and Internet lists, thus propagating the idea and the celebration. His original intent was to commemorate Hofmann’s original, accidental exposure on April 16th, but that date fell midweek and was not a good time for the party, so he chose the 19th to honor Hofmann’s first intentional exposure.

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Albert Hofmann was born in Switzerland and joined the pharmaceutical-chemical department of Sandoz Laboratories, located in Basel as a co-worker with professor Arthur Stoll, founder and director of the pharmaceutical department. He began studying the medicinal plant squill and the fungus ergot as part of a program to purify and synthesize active constituents for use as pharmaceuticals. His main contribution was to elucidate the chemical structure of the common nucleus of Scilla glycosides (an active principle of Mediterranean Squill). While researching lysergic acid derivatives, Hofmann first synthesized LSD on November 16, 1938. The main intention of the synthesis was to obtain a respiratory and circulatory stimulant (an analeptic). It was set aside for five years, until April 16, 1943, when Hofmann decided to take a second look at it. While re-synthesizing LSD, he accidentally absorbed a small amount of the drug through his fingertips (and may have accidentally touched his eye) and discovered its powerful effects. He described what he felt as being:

 … affected by a remarkable restlessness, combined with a slight dizziness. At home I lay down and sank into a not unpleasant intoxicated-like condition, characterized by an extremely stimulated imagination. In a dreamlike state, with eyes closed (I found the daylight to be unpleasantly glaring), I perceived an uninterrupted stream of fantastic pictures, extraordinary shapes with intense, kaleidoscopic play of colors. After about two hours this condition faded away.

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Beginning in the 1950s, the US Central Intelligence Agency (CIA) began a research program code named Project MKULTRA. Experiments included administering LSD to CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public in order to study their reactions, usually without the subjects’ knowledge. The project was revealed in the US congressional Rockefeller Commission report in 1975.

In 1963, the Sandoz patents expired on LSD. Several figures, including Aldous Huxley, Timothy Leary, and Al Hubbard, began to advocate the use of LSD. LSD became central to the counterculture of the 1960s. In the early 1960s the use of LSD and other hallucinogens was advocated by new proponents of consciousness expansion such as Leary, Huxley, Alan Watts and Arthur Koestler, which profoundly influenced the thinking of the new generation.

On October 24, 1968, possession of LSD was made illegal in the United States. The last FDA approved study of LSD in patients ended in 1980, while a study in healthy volunteers was made in the late 1980s. Legally approved and regulated psychiatric use of LSD continued in Switzerland until 1993.

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I grew up in the 1960s so acid and psychedelic counterculture is old hat for me. By just in case you are too young to remember those crazy days I’ll give a brief synopsis. By the mid-1960s, the psychedelic lifestyle had already developed in youth countercultures in California, particularly in San Francisco, with the first major underground LSD factory established by Owsley Stanley. From 1964 the Merry Pranksters, a loose group that developed around novelist Ken Kesey, sponsored the Acid Tests, a series of events primarily staged in or near San Francisco, involving the taking of LSD (supplied by Stanley), accompanied by light shows, film projection and discordant, improvised music known as the psychedelic symphony. The Pranksters helped popularize LSD use, through their road trips across America in a psychedelically-decorated converted school bus, which involved distributing the drug and meeting with major figures of the beat movement, and through publications about their activities such as Tom Wolfe’s The Electric Kool-Aid Acid Test (1968) – a good read. In both music and art, the influence on LSD was soon being more widely seen and heard thanks to the bands that participated in the Acid Tests and related events, including The Grateful Dead, Jefferson Airplane, and Big Brother and the Holding Company, and through the dazzling and wildly inventive poster and album art of San Francisco-based artists like Rick Griffin, Victor Moscoso, Bonnie MacLean, Stanley Mouse & Alton Kelley, and Wes Wilson.

A similar and connected nexus of LSD use in the creative arts developed around the same time in London. A key figure in this phenomenon in the UK was British academic Michael Hollingshead, who first tried LSD in the US in 1961 while he was the Executive Secretary for the Institute of British-American Cultural Exchange. After being given a large quantity of pure Sandoz LSD (which was still legal at the time) and experiencing his first trip, Hollingshead contacted Aldous Huxley, who suggested that he get in touch with Harvard academic Timothy Leary, and over the next few years, in concert with Leary and Richard Alpert, Hollingshead played a major role in their famous LSD research at Millbrook before moving to New York City, where he conducted his own LSD experiments. In 1965 Hollingshead returned to the UK and founded the World Psychedelic Center in Chelsea in London.

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Among the many famous people in the UK that Hollingshead is reputed to have introduced to LSD are artist and Hipgnosis founder Storm Thorgerson, and musicians Donovan, Keith Richards, Paul McCartney, John Lennon, and George Harrison. Although establishment concern about the new drug led to it being declared illegal by the Home Secretary in 1966, LSD was soon being used widely in the upper echelons of the British art and music scene, including members of The Beatles, The Rolling Stones, The Moody Blues, The Small Faces, Pink Floyd, Jimi Hendrix and others, and the products of these experiences were soon being both heard and seen by the public with singles like The Small Faces’ “Itchycoo Park” and LPs like The Beatles’ Sgt Pepper’s Lonely Hearts Club Band and Cream’s Disraeli Gears, which featured music that showed the obvious influence of the musicians’ recent psychedelic excursions, and which were packaged in elaborately-designed album covers that featured vividly-coloured psychedelic artwork by artists like Peter Blake, Martin Sharp, Hapshash and the Coloured Coat (Nigel Waymouth and Michael English) and art/music collective “The Fool.” Memories !!!

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In the 1960s, and ever since, when LSD became illegal, people have tried to promote natural (legal) foods that can produce hallucinations. Most mushrooms with hallucinogenic qualities are banned in the West, but I know of a few that can be legally obtained in China. In fact I’ve seen a number sold on the streets in cities, but never bought any because the sale is largely unregulated and people die annually from poisonous mushrooms. I did buy quite a few funky looking mushrooms for culinary purposes, however, and lived to tell the tale.

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Heavy doses of very hot foods created with powerful chile peppers are also known to induce hallucinations, though not reliably. I’m a big fan of intense curries and have never experienced anything other than tongue-searing heat, pouring sweat, and the feeling that my eyeballs were falling out.  It is also said that large doses of ground fresh nutmeg (2 tablespoons or more) can be hallucinogenic. As with chiles and other home experiments I DO NOT RECOMMEND this. You’re more likely to get nauseous than anything else, and there may be physical damage.

It has been known for centuries that Sarpa salpa, known commonly as the salema, salema porgy, cow bream or goldline, a species of sea bream, recognizable by the golden stripes that run down the length of its body, can cause hallucinations when eaten. It is found in the East Atlantic, as well as the Mediterranean, ranging from the Bay of Biscay to South Africa. It has occasionally been found as far north as Great Britain. It is quite common and found from near the surface to a depth of 70 m (230 ft). Males are typically 15 to 30 cm (6–12 in) in length, while females are usually 31 to 45 cm (12–18 in).

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Sarpa salpa became widely known recently for its psychoactivity following articles published in 2006 (and disseminated widely), when two men ingested it at a Mediterranean restaurant and began to experience auditory and visual hallucinogenic effects. These hallucinations, obviously unexpected, were reported to have occurred minutes after the fish was ingested and had a total duration of 36 hours. Salema is, in fact, often served as a dish at seafood restaurants in the Mediterranean area without these effects. It is believed that this and other Mediterranean fish sometimes ingest a particular algae or phytoplankton which renders it hallucinogenic. These effects have been reported sporadically all the way from classical times by Greeks and Arabs – often after eating the head.

Varieties of sea bream are quite readily available and can be prepared in any number of ways – poached, fried, baked, grilled, etc. I’ve always been a big fan of oven baked whole fish because there’s nothing much to it, the fish is tasty, and the results are healthy.

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Make sure the fish is scaled and gutted. Place it on a well greased baking tray, fill the cavity with lemon slices, drizzle with extra virgin olive oil, and bake in a pre-heated oven at 500°F (or hotter) until the skin is browned and the meat is cooked through – between 20 and 30 minutes. Serve on a bed of boiled new potatoes (black olives add a spark), with a green salad or poached green vegetables. I usually go with spinach or asparagus.

Sep 172015
 

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Today is the birthday (1935) of Kenneth Elton “Ken” Kesey, U.S. author and countercultural figure who considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s. Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey. In 1946, the family moved to Springfield, Oregon. Kesey was a champion wrestler in both high school and college in the 174 pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953. He was an avid reader and filmgoer, and took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.

In 1956, while attending college at the University of Oregon in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade. “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.” No comment. They were married until his death at age 66 and had three children: Jed, Zane, and Shannon; Kesey had another child, Sunshine, in 1966 with fellow Merry Prankster Carolyn “Mountain Girl” Adams. So . . . although not “swept overboard” he was not monogamous.

Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition. He remains ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”

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A frat boy, Kesey graduated from the University of Oregon School of Journalism and Communication with a Bachelor of Arts degree in Speech and Communication in 1957. After a brief stint as a struggling actor in Los Angeles, he was awarded a Woodrow Wilson National Fellowship in 1958. Because he lacked the prerequisites to work toward a master’s degree in English, Kesey elected to enroll in the non-degree creative writing program at Stanford University that fall, where he would develop lifelong friendships with Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.

While at Stanford, Kesey lived on Perry Lane (an historically bohemian enclave adjacent to the university golf course) and clashed with program director Wallace Stegner, who had previously rejected Kesey’s application for a departmental Stegner Fellowship before permitting his attendance on the Woodrow Wilson grant. According to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms. Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the often-rejected Zoo) and continued to audit the graduate writing seminar—a courtesy accorded to former students, including Tillie Olsen—through the 1960-1961 academic year (taught that year by Frank O’Connor and the more congenial Malcolm Cowley, who was happy to see Kesey) as he began the manuscript that would become One Flew Over the Cuckoo’s Nest.

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At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans Hospital where he worked as a night aide. The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, αMT, and DMT on people. Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.

Kesey’s role as a medical guinea pig, as well as his time working at the state veterans’ hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, about 45 minutes into the dark, forested hills that lie west of Perry Lane. He frequently entertained friends and others with parties he called “Acid Tests”, involving music (such as Kesey’s favorite band, The Warlocks, later known as the Grateful Dead), black lights, fluorescent paint, strobes, and other “psychedelic” effects, and, of course, LSD. These parties were noted in some of Ginsberg’s poems and are also described in Tom Wolfe’s The Electric Kool-Aid Acid Test, as well as Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and Freewheelin Frank, Secretary of the Hell’s Angels by Frank Reynolds.

In 1959, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published. In 1960, he wrote End of Autumn, about a young man who leaves his working-class family after he gets a scholarship to an Ivy League school, also unpublished.

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The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift (with Gordon Lish) at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman), and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).

Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that Ken was generally supportive of the film and pleased that it was made.

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When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the “Merry Pranksters” took a cross-country trip in a school bus nicknamed “Further.” This trip, described in Tom Wolfe’s The Electric Kool-Aid Acid Test (and later in Kesey’s own screenplay “The Further Inquiry”) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.”[1] A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of the documentary film “Magic Trip” in 2011.

After the bus trip, the Pranksters threw parties they called “Acid Tests” around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.

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Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliff-side road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life. He wrote many articles, books (mostly collections of his articles), and short stories during that time.

Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called “Twister: A Ritual Reality.” Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed the Beat Generation poet Allen Ginsberg into performing with them.

Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.

In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College. His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.

In 1997, health problems began to weaken him, starting with a stroke that year. On October 25, 2001 Kesey had surgery on his liver to remove a tumor. He did not recover from that operation and died of complications on November 10, 2001 at age 66.

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I’m really torn about Kesey and his legacy, mostly because I am torn about the 1960s and counterculture in general. I was smack in the middle of it all in some ways, as a college student, and on the sidelines in other ways. I was well on my way to becoming an anthropologist and ethnomusicologist at the time, and so was more interested in world cultures and travel than in the usual sex, drugs, and rock and roll of the 60’s and early 70s. Therefore I saw the relatively hedonistic, anti-establishment attitudes of hippies as largely irrelevant to my life, and, to tell the truth, rather trivial. Once you understand the centuries-old traditions of psycho-active drugs in non-Western cultures and their associations with healing, spirituality, and the like, the Acid Tests seem like not much more than bourgeois parties. Kesey’s association with the Hell’s Angels also troubles me. I can see the attraction in some ways. The Angels are certainly countercultural, but not in a way I want any part of. Sometimes, Kesey can be on the money, however. His analysis of people who are institutionalized is spot on; many, many inpatients in psychiatric wards would be considered important figures in other cultures. They are marginalized in the West because their values are not “normal.” Avoiding being “normal” is my life’s work. Kesey’s “movement” had little staying power because his followers grew up and moved on, becoming part of the Establishment themselves, for the most part Still, I suppose it’s all right to remember an era and what it supposedly stood for. I’m still an anthropologist, still world traveling, and still much more interested in global diversity than fighting the Western Establishment which seems to me to be incurably corrupt, violent, and exploitive.

I’ve posted now and again on hippie/psychedelic dishes in the past. Famed druggie Aldous Huxley gave us a recipe for psychedelic cole slaw http://www.bookofdaystales.com/aldous-huxley/ . This same idea can be extended into “tie-dyed” cake baking which I imagine I will get round to posting recipes for at some point.

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The musical Hair brought us that most famous of hippie dishes, tabouli salad http://www.bookofdaystales.com/hair/ . However, we should also not forget that not all hippies were about bean sprouts and quiche. Many were hooked on soda and junk food. So I thought I’d take a decidedly left turn and give you a video on the making of psychedelic veal medallions by a Michelin 3-star chef. His musings on intellect and spirituality are quite hippie-esque. Well worth a look.