Sep 042017
 

On this date in 1949 there were full scale riots outside Peekskill NY (Cortlandt Manor in Westchester County) protesting a concert given by Paul Robeson and others. They were, ostensibly anti-communist riots but with strong elements of racism and anti-Semitism. I want to highlight them today to point out that rioting in support of White supremacy, White nationalism, along with police brutality against African-Americans has a long history in the United States, and not only in the South.The catalyst for the rioting was an announced concert by singer Paul Robeson, who was well known for his strong pro-trade union stance, civil rights activism, and sympathies with communism and anti-colonialist sentiments. The concert, organized as a benefit for the Civil Rights Congress, was scheduled to take place on August 27 in Lakeland Acres, just north of Peekskill.

Robeson had given three earlier concerts in Peekskill without incident, but subsequently Robeson had been increasingly vocal against the Ku Klux Klan and other forces of White supremacy, both domestically and internationally. Robeson had made the transformation from someone who was primarily a singer into a political persona with vocal support for what were at the time popularly considered “communist” causes, including the decolonization of Africa, anti-Jim Crow legislation, and peace with the USSR. Robeson had also appeared before the House Committee on Un-American Activities to oppose a bill that would require communists to register as foreign agents and, just months before the concerts in 1949, he had appeared at the Soviet-sponsored World Peace Conference in Paris. Referring to the growing tensions between the USA and the USSR, his exact words were:

We in America do not forget that it was the backs of White workers from Europe and on the backs of millions of Blacks that the wealth of America was built. And we are resolved to share it equally. We reject any hysterical raving that urges us to make war on anyone. Our will to fight for peace is strong…We shall support peace and friendship among all nations, with Soviet Russia and the People’s Republics.

What came over the wires to news agencies via the AP in the United States was as follows,

We colonial peoples have contributed to the building of the United States and are determined to share its wealth. We denounce the policy of the United States government which is similar to Hitler and Goebbels…. It is unthinkable that American Negros would go to war on behalf of those who have oppressed us for generations against the Soviet Union which in one generation has lifted our people to full human dignity.

Research by historians would later show that the AP had put a prepared dispatch on the wires as Robeson was starting his speech, not reporting what he actually said. The false reporting was not investigated by the US press for its veracity and there was nationwide condemnation of Robeson. In the early stages of the Cold War and its accompanying wide anti-communist sentiments in the West, this statement was seen by many as especially anti-American. The local paper, the Peekskill Evening Star, condemned the concert and encouraged people to make their position on communism felt, but did not directly espouse violence. There was a strong racial element to the riots, including burning crosses and lynching an effigy of Robeson both in Peekskill and in other areas of the United States.

The concert, organized as a benefit for the Civil Rights Congress, was scheduled to take place on August 27th in Lakeland Acres, just north of Peekskill. Before Robeson arrived, a mob of locals attacked concert-goers with baseball bats and rocks. The local police arrived hours later and did little to intervene. Thirteen people were seriously injured, Robeson was lynched in effigy and a cross was seen burning on an adjacent hillside. The concert was then postponed until September 4th. Following the concert, new requests for Klan memberships from the Peekskill area numbered 748.

Robeson’s longtime friend and Peekskill resident, Helen Rosen, who had agreed to collect Robeson at the train station, had heard on the radio that protesters were massing at the concert grounds. Robeson drove with Rosen and two others to the concert site and saw marauding groups of youngsters, a burning cross on a nearby hill and a jeering crowd throwing rocks and chanting “Dirty Commie” and “Dirty Kikes.” Robeson made more than one attempt to get out of the car and confront the mob but was restrained by his friends.

The media were flooded with reactions and charges. The Joint Veterans Council of Peekskill refused to admit any involvement, describing its activities as a “protest parade… held without disorder and… perfectly disbanded.” Peekskill police officials said the picnic grounds had been outside their jurisdiction.  A state police spokesman said there had never been a request for state troopers. The commander of Peekskill Post 274 of the American Legion stated: “Our objective was to prevent the Paul Robeson concert and I think our objective was reached.”

Following a meeting of local citizens, union members, and Robeson supporters who formed “The Westchester Committee for Law and Order” it was unanimously determined that Robeson should be invited back to perform in Peekskill. Representatives from various left-wing unions – the Fur and Leather Workers, the Longshoremen and the United Electrical Workers – all agreed to converge and serve as a wall of defense around the concert grounds. Ten union men slept on the property of the Rosens, effectively guarding it. A call was then put out by the “Emergency Committee to Protest the Peekskill Riot.” On Tuesday, August 30, an overflow crowd of 3,000 people assembled peacefully and without incident at the Golden Gate Ballroom in Harlem to hear Robeson speak:

I will be loyal to America of true traditions; to the America of the abolitionists, of Harriet Tubman, of Thaddeus Stevens, of those who fought for my people’s freedom, not of those who tried to enslave them. And I will have no loyalty to the Forrestals, to the Harrimans, to the WallStreeters… the surest way to get police protection is to have it very clear that we’ll protect ourselves, and good!… I’ll be back with my friends in Peekskill…

The re-scheduled (September 4, 1949) concert itself was free from violence, though marred by the presence of a police helicopter overhead and the flushing out of at least one sniper’s nest. The concert was located on the grounds of the old Hollow Brook Golf Course in Cortlandt Manor, near the site of the original concert. 20,000 people showed up. Security was organized by the Communist Party and Communist dominated labor unions. The men were directed by the Communist Party and some unions to form a line around the outer edge of the concert area and were sitting with Robeson on the stage. They were there to fight any protestors who objected to Robeson’s presence. They effectively kept the local police from the concert area. The musicians performed without incident.

Setlist (incomplete)

Sylvia Kahn: “The Star-Spangled Banner”

Piano performances by Leonid Hambro and Ray Lev[19] including works by Chopin and Bach, Prokofiev and Ravel

Singing by soprano Hope Foye

Pete Seeger: “T For Texas”, “If I Had a Hammer”,[18] and another song[23]

Paul Robeson: “Go Down Moses”, the English ballad “No John No”, and “Farewell, My Son, I’m Dying” («Прощай, мой сын, умираю…», Proshchay, moy syn, umirayu…), the final aria from Boris Godunov, and other songs including “America the Beautiful” and traditional spirituals, ending with “Ol’ Man River.” Robeson’s accompaniment was provided by Larry Brown.

 

The aftermath of the concert was far from peaceful, however. After some violence to south-going buses near the intersection of Locust Avenue and Hillside Avenue, concertgoers were diverted to head northward to Oregon Corners and forced to run a gauntlet, miles long, of veterans and their families, who threw rocks through windshields of the cars and buses. Much of the violence was also caused by anti-Communist members of local Veterans of Foreign Wars and American Legion chapters. An angry mob of rioters chanted “go on back to Russia, you niggers” and “white niggers”, some of the concertgoers and union members, along with writer Howard Fast and others assembled a non-violent line of resistance, locked arms, and sang the song “We Shall Not Be Moved.” Some people were reportedly dragged from their vehicles and beaten. Over 140 people were injured and numerous vehicles were severely damaged as police stood by.

One car carried Woody Guthrie, Lee Hays, Pete Seeger, Seeger’s wife Toshi, and his infant children. Guthrie pinned a shirt to the inside of the window to stop it shattering. “Wouldn’t you know it, Woody pinned up a red shirt,” Hays recalled. Seeger used some of the thrown rocks to build the chimney of his cabin in the Town of Fishkill, New York, to stand as a reminder of that incident.

The first African-American combat pilot and decorated World War I veteran, Eugene Bullard, was knocked to the ground and beaten by the mob, which included White members of state and local law enforcement. The beating was captured on film and can be seen in the 1970s documentary The Tallest Tree in Our Forest and the Oscar-winning, Sidney Poitier-narrated documentary Paul Robeson: Tribute to an Artist. Despite recorded evidence of the beating, no one was ever prosecuted for the assault. Graphic photos of Eugene Bullard being beaten by two policemen, a state trooper and concert-goer were later published in Susan Robeson’s pictorial biography of her grandfather, The Whole World in His Hands: a Pictorial Biography of Paul Robeson.

Following the riots, more than 300 people went to Albany to voice their indignation to Governor Thomas Dewey, who refused to meet with them, blaming communists for provoking the violence. Twenty-seven plaintiffs filed a civil suit against Westchester County and two veterans’ groups. The charges were dismissed three years later.

Following the riots, House Representative John E. Rankin (D-Mississippi) condemned Robeson on the house floor. When Republican New York Congressman Jacob Javits spoke to the United States House of Representatives, deploring the Peekskill riots as a violation of constitutional guarantees of freedom of speech and free assembly, Rankin replied angrily. “It was not surprising to hear the gentlemen from New York defend the Communist enclave,” Rankin bellowed, saying that he wanted it known that the American people are not in sympathy “with that Nigger Communist and that bunch of Reds who went up there.” On a point of order, American Labor Party House Representative Vito Marcantonio protested to speaker Rayburn that “the gentlemen from Mississippi used the word ‘nigger.’ I ask that the word be taken down and stricken from the RECORD inasmuch as there are two members in this house of Negro race.” Rayburn claimed that Rankin had not said “nigger” but “Negro” but Rankin yelled over him saying “I said Niggra! Just as I have said since I have been able to talk and shall continue to say.” Speaker Rayburn then defended Rankin, ruling that “the gentlemen from Mississippi is not subject to a point of order… referred to the Negro race and they should not be afraid of that designation.” Then Representative Edward E. Cox (D-Georgia) denounced Robeson on the House floor as a “Communist agent provocateur.”

Within a few days, hundreds of editorials and letters appeared in newspapers across the nation and abroad, by prominent individuals, organizations, trade unions, churches and others. They condemned not only the attacks but also the failure of Governor Dewey and the State Police to protect the lives and property of citizens, and called for a full investigation of the violence and prosecution of the perpetrators. Despite condemnation from progressives and civil rights activists, the mainstream press and local officials overwhelmingly blamed Robeson and his fans for “provoking” the violence. Following the Peekskill riots, other cities became fearful of similar incidents, and over 80 scheduled concert dates of Robeson’s were canceled.

On September 12, 1949, in response to Robeson’s controversial status in the press and leftist affiliations, the National Maritime Union convention considered a motion that Robeson’s name be removed from the union’s honorary membership list; the motion was withdrawn for lack of support among members. Later that month, the All-China Art and Literature Workers’ Association and All-China Association of Musicians of Liberated China protested the Peekskill attack on Robeson. On October 2, 1949, Robeson spoke at a luncheon for the National Labor Conference for Peace, Ashland Auditorium, Chicago, and referenced the riots.

In recent years, Westchester County has gone to great lengths to make amends to the survivors of the riots by holding a commemorative ceremony, at which an apology was made for their treatment. In September 1999, county officials held a “Remembrance and Reconciliation Ceremony, 50th anniversary commemoration of the 1949 Peekskill riots.” It included speakers Paul Robeson, Jr., Peter Seeger and several local elected officials.

When I celebrated Robeson’s birthday here http://www.bookofdaystales.com/paul-r/  I mentioned the heirloom Paul Robeson tomato which was bred in the Soviet Union in honor of his visit. If you can get hold of some, a bacon, lettuce, and tomato sandwich would be in order.  Also in his honor, several cake recipes appeared in cookbooks in the Soviet Union – all full of chocolate and very rich layered cakes. Here’s a couple of sites that have rather incomplete recipes (in Russian and in bad translation):

https://www.edimdoma.ru/retsepty/8383-tort-pol-robson

https://bashny.net/t/en/350946

This gallery may inspire you.

The cakes all have one thing in common: they are made of black and white layers (very subtle).  Some are covered in chocolate icing, some with a mix of cream and chocolate.

Jul 142017
 

Today is the birthday (1912) of Woodrow Wilson “Woody” Guthrie legendary singer-songwriter who was influential in the careers of a host of singer-songwriters who are commonly called folk singers – people like Bob Dylan, Phil Ochs, Pete Seeger and Tom Paxton – as well as a host of singer-songwriters in a variety of other genres such as Johnny Cash, Bruce Springsteen, Robert Hunter, Harry Chapin, John Mellencamp, Joe Strummer, Billy Bragg, Jerry Garcia, Jay Farrar, Bob Weir, Jeff Tweedy, Bob Childers, and Sammy Walker. I am not crazy about the 1960s-era terms “folk singer” and “folk music” used in relation to singers like Guthrie or Dylan or Paxton because I prefer to reserve them for traditional singers who pass on their songs from generation to generation, rather than those whose claim to the title is that they play acoustic guitars. It is, however, a relatively well defined genre of a certain era, so minimally I’ll acknowledge its existence as such. The genre, largely following Guthrie, concerned anti-war songs, as well as children’s songs, songs of community, social justice, and social commentary. Guthrie’s best known song is probably “This Land Is Your Land”

He frequently performed with the slogan This machine kills fascists displayed on his guitar.

Guthrie was brought up by middle-class parents in Okemah, Oklahoma until he was 14, when his mother was hospitalised as a consequence of Huntington’s disease, a hereditary neurological disorder. At this time his father had to move to Pampa, Texas to repay debts from unsuccessful real estate deals. During his early teens Guthrie learned a variety of songs from his parents’ friends. He married at 19, but with the advent of the dust storms that marked the Dust Bowl period, he left his wife and three children to join the thousands of Okies who were migrating to California looking for work.

Guthrie worked at Los Angeles radio station KFVD, achieving a degree of fame from playing what was called hillbilly music in those days and made friends with Will Geer and John Steinbeck. He wrote a column for the Communist newspaper People’s World from May 1939 to January 1940. Throughout his life Guthrie was associated with United States’ Communist groups, although he was never a member of one. With the outbreak of World War II and the non-aggression pact the Soviet Union had signed with Germany in 1939, the owners of KFVD radio were not comfortable with Guthrie’s Communist sympathies, so he left the station, ending up in New York where he wrote and recorded his 1940 album Dust Bowl Ballads, based on his Dust Bowl experiences, and which earned him the nickname the “Dust Bowl Troubadour.” In February 1940 he wrote “This Land Is Your Land” as a response to what he felt was an overplaying of Irving Berlin’s “God Bless America” on the radio.

Guthrie believed performing his anti-fascist songs and poems at home was the best use of his talents rather than serving in the army during World War II, so he lobbied the United States Army to accept him as a USO performer instead of conscripting him as a soldier in the draft. When this attempt failed, his friends Cisco Houston and Jim Longhi persuaded him to join the U.S. Merchant Marine in June 1943. He made several voyages aboard the merchant ships SS William B. Travis, SS William Floyd, and SS Sea Porpoise while they travelled in convoys during the Battle of the Atlantic. He served as a mess man and dishwasher and frequently sang for the crew and troops to buoy their spirits on transatlantic voyages. His first ship, William B. Travis, hit a mine in the Mediterranean Sea, killing one person aboard, but made it to Bizerte, Tunisia under her own power. His last ship, Sea Porpoise, took troops from the United States for the D-Day invasion. Guthrie was aboard when the ship was torpedoed off Utah Beach by the German submarine U-390 on July 5, 1944, injuring 12 of the crew. Guthrie was unhurt and the ship stayed afloat to be repaired at Newcastle in England before returning to the United States in July 1944. He was an active supporter of the National Maritime Union, the main union for wartime American sailors. Guthrie wrote songs about his experience in the Merchant Marine but was never satisfied with the results.. In 1945, Guthrie’s association with Communism made him ineligible for further service in the Merchant Marine, and he was drafted into the U.S. Army.

While he was on furlough from the Army, Guthrie married Marjorie Mazia, an instructor at the Martha Graham Dance School. After his discharge, they moved into a house on Mermaid Avenue in Coney Island and over time had four children: daughters Cathy and Nora; and sons Arlo and Joady. During this period, Guthrie wrote and recorded Songs to Grow on for Mother and Child, a collection of children’s music, which includes the song “Goodnight Little Arlo (Goodnight Little Darlin’)”, written when Arlo was about nine years old.

The years living on Mermaid Avenue were among Guthrie’s most productive as a writer. His extensive writings from this time were archived and maintained by Marjorie and later his estate, mostly handled by his daughter Nora. Bob Dylan learnt of the existence of this archive containing hundreds of previously unknown lyrics and was able to obtain them eventually, although the exact details are, as usual, shrouded in Dylan’s fanciful prose which is always part fact and part fiction.  Eventually Dylan gave the lyrics to Billy Bragg who set many to music and produced 3 albums.  Here’s my favorite from the albums, “Birds and Ships” sung by Natalie Merchant:

I’m afraid Woody’s favorite food was a Nathan’s hot dog and French fries. This from Rolling Stone:

Nora vividly recalled the day the family spread Woody’s ashes there after his death on October 3rd, 1967. The ashes, she remembered, came in a small can which her mother opened with a can opener. “We didn’t have any religious traditions,” Nora said. “We were inventing things along the way.”

“It was a comedy of errors,” Nora recalled. “We climbed out on the rocks and it was really windy and we were slipping on the rocks. We threw the whole can in, and it bobbed along and came back on shore. It kept happening. Finally, we held the can down in the water, filled it with a little water and chucked it in. The can is probably still out there.”

“We didn’t know what to do afterward,” Guthrie said. “We didn’t have religious traditions. Stand in silence? Prayer? Mom said, ‘I think Woody would really want us to just go to Nathan’s. So we went over to Nathan’s and sat on the ground with our backs against the wall with my father’s favorite food, a hot dog and French fries. That was the big ceremony.”