Dec 132019
 

Today is the birthday of Phillips Brooks (1835–1893), an Episcopal priest, who, when he was rector of Church of the Holy Trinity, Philadelphia wrote the words of “O Little Town of Bethlehem.” He was inspired by visiting the village of Bethlehem in Israel in 1865. Three years later, he wrote the poem for his church, and his organist Lewis Redner (1831-1908) added the music.

Redner’s tune, “St. Louis”, is the tune used most often for this carol in the United States. Redner recounted the story of its composition:

As Christmas of 1868 approached, Mr. Brooks told me that he had written a simple little carol for the Christmas Sunday-school service, and he asked me to write the tune to it. The simple music was written in great haste and under great pressure. We were to practice it on the following Sunday. Mr. Brooks came to me on Friday, and said, ‘Redner, have you ground out that music yet to “O Little Town of Bethlehem”? I replied, ‘No,’ but that he should have it by Sunday. On the Saturday night previous my brain was all confused about the tune. I thought more about my Sunday-school lesson than I did about the music. But I was roused from sleep late in the night hearing an angel-strain whispering in my ear, and seizing a piece of music paper I jotted down the treble of the tune as we now have it, and on Sunday morning before going to church I filled in the harmony. Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868.

 My recollection is that Richard McCauley, who then had a bookstore on Chestnut Street west of Thirteenth Street, printed it on leaflets for sale. Rev. Dr. Huntington, rector of All Saints’ Church, Worcester, Mass., asked permission to print it in his Sunday-school hymn and tune book, called The Church Porch, and it was he who christened the music ‘Saint Louis.’

Growing up in England, I knew a completely different tune, which I – mistakenly – thought was the original (because I thought it was an English carol). I am well used to favorite carols having different tunes in England and the US.  I actually prefer the English tune which was composed by Ralph Vaughan Williams and based on an English folk ballad called “The Ploughboy’s Dream” which he had collected from a Mr. Garman of Forest Green, Surrey in 1903. Henry Garman was born in 1830 in Sussex, and in the 1901 census was living in Ockley, Surrey. Vaughan Williams’ manuscript notes he was a “labourer of Forest Green near Ockley – Surrey. (Aged about 60?)”, although Mr Garman would have been nearer 73 when he sang the tune. It is called “Forest Green” now.

When I was a pastor, I frequently sang this as a duet with my late wife at Christmas (with me singing the bass line).

There are also two tunes by H. Walford Davies, called “Wengen”, and “Christmas carol.” “Wengen” was published in Hymns Ancient and Modern in 1922, meanwhile “Christmas Carol” is usually performed only by choirs rather than as a congregational hymn. This is because the first two verses are for treble voices with organ accompaniment, with only the final verse as a chorale/refrain harmony. This setting includes a recitative from the Gospel of Luke at the beginning, and cuts verses 2 and 4 of the original 5-verse carol. This version is often performed at the service of Nine Lessons and Carols in Kings College, Cambridge.

Here is a Christmas recipe from my own YouTube channel, Juan’s Whirled (so you can hear my voice if this blog is the only way you know me).  It’s my take on mincemeat pie with actual meat in it – as might be prepared centuries ago.  Please subscribe to the channel if you are new to it.

 

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